The Seay Firm LLC

Atlanta Entertainment Lawyer

  • About Us
    • John E. Seay, Esq.
    • Philip A. Ordonez, Esq.
    • Haley Carlson
    • Directions
  • Practice Areas
    • Music Law
    • Film & TV Law
    • Miscellaneous Entertainment Law
    • Copyrights & Trademarks
    • Small Business Services
  • Clients
  • Blog
  • FAQ
  • Resources
  • Contact Us
You are here: Home / Actors/Musicals / How Do Actors in Touring Musicals Get Paid?

January 6, 2014

How Do Actors in Touring Musicals Get Paid?

Guest Blog: Olivia Clark, Georgia State University College of Law, J.D. expected 2016

This Christmas, I was received two tickets to “The Book of Mormon” at the Fox Theatre in Atlanta. As a former dancer, I found myself wondering how touring actors in musicals are compensated, and how  payment structures may have changed over the years.

As I learned, the traditional payment model, now much coveted, is the production contract. These contracts offer a fixed salary for actors. They receive a daily stipend and have no requirement to spend it. However, nowadays this type of contract is available for performers in only the most successful touring productions, such as “The Book of Mormon” or “Wicked.” What are the options for other, smaller productions?

In 2004, the Actors’ Equity Association (“AEA”) addressed the increasing number of touring productions offering non-union contracts to actors by introducing the Short Engagement Touring Agreement (“SETA”). Now, more touring shows are able to employ unionized performers by moving towards the SETA model to pay actors. With this form of payment, actors make a variable amount of money based on how many seats are filled in the theatre. Performers have the potential to make salaries comparable to those available in production contracts if the house is full, although performing for a full theatre every night on tour is highly unlikely. The AEA insists that SETA contracts do not replace production contracts, but only non-union contracts.

Fortunately for audiences, the SETA model does not greatly affect ticket prices. However, there are other issues to consider. Do the more talented actors turn away from productions with SETA contracts? Or are performers with SETA contracts incentivized to work harder with the added pressure to fill seats? Regardless, the AEA claims that the availability of SETA contracts is responsible for increasing the number of touring workweeks, thus providing more financial security for more touring performers.

Are you a touring actor in a production? How are you compensated? Comment below to start a dialogue, and contact The Seay Firm LLC if you have any specific questions.

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to print (Opens in new window) Print
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on Pocket (Opens in new window) Pocket
  • Click to share on Tumblr (Opens in new window) Tumblr
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to email a link to a friend (Opens in new window) Email

Related

Filed Under: Actors/Musicals, Atlanta entertainment lawyer, Compensation for Actors, Entertainment Law Tagged With: actors, Actors' Equity Association, atlanta entertainment lawyer, musicals, Short Engagement Touring Agreement, The Book of Mormon, touring actors, union, Wicked

Contact Us

  • *Disclaimer: Your viewing of the content on this website, or your use of this form for communication with the firm or any individual member of the firm, does not establish an attorney-client relationship.  Confidential or time-sensitive information should not be sent through this form.
  • This field is for validation purposes and should be left unchanged.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

10.0John Eric Seay
 
John E. Seay
 
  • Facebook
  • Instagram
  • LinkedIn
  • Twitter

Check out our spotify client playlist

  • About Us
  • Practice Areas
  • Clients
  • Blog
  • FAQ
  • Resources
  • Contact Us

Copyright © 2025 Website by Misfit Ideas, LLC