The Seay Firm LLC

Atlanta Entertainment Lawyer

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    • John E. Seay, Esq.
    • Philip A. Ordonez, Esq.
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March 5, 2013

Why Pandora Wants to Pay Less and What It Means for Licensing Reform

By John Seay, Atlanta Entertainment Lawyer: The Seay Firm LLC (@TheSeayFirmLLC) On September 21, 2012, Rep. Jason Chaffetz (R-Utah) introduced H.R. 6480, better known as the Internet Radio Fairness Act (IRFA). If passed, IRFA would drastically reduce the amount of royalties that webcasters like Pandora pay to owners of sound recordings by directing the Copyright […]

Filed Under: Artist Revenue Streams, Background, Copyright, Digital Performance Royalties, Entertainment Law, Music Industry Insights, Music Industry Musings, Public Performance Right Tagged With: ASCAP, BMI, digital performance royalties, Pandora, Public performance royalties, SESAC, SiriusXM, SoundExchange, Spotify

November 25, 2012

Flagpole Magazine Publishes John Seay’s Article on Artist Revenue Streams

By John Seay, Atlanta Entertainment Lawyer: The Seay Firm LLC (@TheSeayFirmLLC) Last week, Flagpole Magazine, the independent alt-weekly of Athens, Ga., published an article written by John Seay.  The article discusses a handful of quick ways in which artists can make a few extra bucks, and is reprinted–with permission–in full below. Alms for the Poor: […]

Filed Under: Artist Revenue Streams, Digital Performance Royalties, Entertainment Law, Music Industry Insights, Music Industry Musings, Public Performance Right, YouTube Partner Program Tagged With: Alliance of Artists and Record Companies, ASCAP, BMI, digital performance royalties, Future of Music Coalition, Public performance royalties, SESAC, SoundExchange, YouTube Partner Program

October 10, 2012

Cover of the Rolling Stone: The Disconnect Between Public Success and Monetary Success

by John Seay, The Seay Firm LLC (@TheSeayFirmLLC) In the movie Almost Famous, members of the fictional band Stillwater burst into song after learning they made the cover of Rolling Stone.[1]  Sure, Stillwater is happy because making the cover validates their existence, but it also—especially back in 1973—meant increased record sales and concert attendance, which […]

Filed Under: Artist Revenue Streams, Background, Entertainment Law, Music Industry Insights, Music Industry Musings Tagged With: Almost Famous, Copyright, Entertainment Law, Grizzly Bear, Pitchfork, revenue, Rolling Stone, Spotify, Stillwater

June 21, 2012

Crowd-Funding Galore: Understanding Funding’s Next Big Thing

By John Seay, Atlanta Entertainment Lawyer: The Seay Firm LLC (@TheSeayFirmLLC) Recently I wrote an article on the JOBS Act and crowd-funding that was the cover story for Flagpole Magazine and also featured in WELD for Birmingham.  Below is a link to the article as it appeared in WELD.  As usual, email me with any […]

Filed Under: Artist Revenue Streams, Background, Entertainment Law, Music Industry Musings Tagged With: Entertainment Law, Indiegogo, JOBS Act, Kickstarter, WELD

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10.0John Eric Seay
 
John E. Seay
 
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